Close to people,
close to music.

Philosophy

If you ask Daniel Hoffmann for a brief description of the agency founded in Berlin in 2020, he will answer with the following words: “The agency of musicians for musicians. Close to people, close to music.“ 
Since who knows more about this genre than a musician? Besides his deep enthusiasm for music, cellist Daniel Hoffmann is also interested in the individual personality of the musicians. He paves the way for his unique artists to reach the very top as well as experience the more charming stages of the world. It is his heart`s desire to move the audience and give them moments of joy. Because that’s our motto: “music that touches“.

Reviews

Natalia Ehwald´s piano playing is comparable with, so to say, a religion. Her playing is in no way artificial, rather arises from a credible, disturbing sense of depth…
Natalia EhwaldDer Tagesspiegel
Croisé plays with the benevolence of an 18th-century king, spinning phrases of loving length, generous in resonance and appoggiatura.
Christoph CroiséGramophone Magazine
Their music radiates in an extraordinarily transparent and expressive way.
Orbis QuartettSüdwest Press
A pinnacle in 21 years of festival history. So convincing, so light, delicate and feathered Bach has never been heard in this way at the Württembergsaal.
Natalia EhwaldSindelfinger Zeitung
Böblinger Zeitung
Cellist mit feinnervigem Habitus und warmer, inniger Timbrierung.
Christoph Croisé Der Tagesspiegel
...ihr Spiel ist keineswegs gekünstelt, sondern entspringt vielmehr einer glaubhaften, bestürzenden Empfindungstiefe.
Natalia EhwaldDer Tagesspiegel
…“hauntingly beautiful“ and „vitalizing like a double espresso“
Orbis QuartettTiroler Tageszeitung
When you think of classical cellists, whose names come to mind? Certainly, Jacqueline du Pré and Yo-Yo Ma, and then there’s Steven Isserlis and Mischa Maisky. Make a note now of another name to add to those ranks, that of Christoph Croisé.
Christoph CroiséFine Music FM
Voriger
Nächster

Daniel Hoffmann

Daniel Hoffmann, who grew up in upper Franconia/Bavaria, has been playing as a cellist in the Konzerthaus Orchestra Berlin since 2015 and occasionally plays in the Mahler Chamber Orchestra as a guest. He had his debut as a soloist at the age of 8 with the Hof Symphony Orchestra and at the age of 17 he moved to Berlin to visit the Carl Philip Emanuel Bach music college to study under Prof. Michael Sanderling. After graduating he started studying with Prof. Wen-Sinn Yang and later with Prof. Peter Hörr, where he received his diploma. He has additionally benefited from major artistic advice from Steven Isserlis, Janos Starker, Natalia Gutman and Wolfgang Boettcher. As a soloist he frequently played with the Hof Symphony Orchestra, the Baden-Baden Philharmonic and with many other orchestras, both in Germany and abroad. He has played in major venues such as the “Konzerthaus“ in Berlin, the “Munich Philharmony“ and “Chernigov Philharmony“ (Ukraine). Daniel founded the "Vitzenburger Schlosskonzerte" in 2009, which now takes place every year at a renaissance castle in eastern Germany.